Content_DV_II
Overview
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0:00-0:32 |
21.02.02 |
M.-women:
shooting Ente lokam/ 'My world' films |
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0:32-0:35 |
19.03.02 |
Scenes of
Kottayam town |
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0:35-1:36 |
19.03.02 |
B.
Schulze and Geetha, a social worker, visit Pankajyakshan, a free-spirited man
who looks like Gandhi, in Allapuzha district |
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1:36-2:45 |
08.03.03 |
WorkshopIIA:
discussion, feedback about KUDIYIRAKKA.../ DISPLACED PEOPLE at docu-feature
by dalit women, |
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2:45-3:42 |
08.03.03 |
- discussion with filmmaker C. Saratchandran
about 'tribals' |
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3:42-4:§9 |
08.03.03 |
- discussion dalit women, women students, Sarat and Schulze about water,
Coca-Cola agitation, wells (!last three minutes of this discussion on tape
DV_XIII 4:08-4:11) |
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Time |
Content |
Inter-Facing |
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21.02.02
M.-women: shooting for Ente lokam
films |
Ente locam shooting |
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0:00-0:04 |
Outside:
M1's house in the morning, and the houses of other women and surroundings
described by B. Schulze |
M1’s
prayer song |
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0:04-0:22 |
M2's
house inside, M2 doing typical works and duties: singing, praying, brushing,
fetching water, cleaning the dishes, ironing, cooking, sewing ... |
M2’s
husband helps in kitchen |
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0:22-0:32 |
M9 with
her little son visits M1 |
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Ferry
boat from Kottayam to Allapuzha |
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0:32-0:35 |
19.03.02
city scenes from Kottayam, Cinema
posters and street: “Peeping Tom” at Allapuzha |
Kottayam
city film
posters |
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Change of
location: Allapuzha district, Kanjipaddam |
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0:35-0:41 |
19.03.02
B. Schulze and Geetha visit Pankajyakshan, a retired teacher, free spirit
looking like Gandhi but wants to eliminate money, power politics, and
independent village production. Inside his house: photographs etc. |
Pankajyakshan's
utopia: no money,
no politics, village production, basis democracy |
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0:41-0:59 |
Outside:
P’s village Kanjipaddam, small houses, rice fields, ducks, branches of
backwater ways. Walking through the village, talking to different villagers,
Geetha translates from Malayalam to English |
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1:00-1:13 |
Visiting
a neighbour, inside Pankajyakshan reads a film script |
a
filmmaker wants to make a film on P. |
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1:13-1:19 |
More
walking through the village, talking to villagers |
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1:19-1:34 |
Inside:
Pankajyakshan talks to Geetha, B. Schulze |
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1:35-1:36 |
Again
inside the house of Pankajyakshan |
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Change of
location and time |
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1:36 |
08.03.03
WorkshopIIA at Manganam |
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discussions
between the dalit women, filmmaker
Saratchandran (Sarat), two women students, Asha and Rema, who participated in
Plachimada agitation against Coca Cola, women sitting in hall, camera on
speakers, listeners, discussion in Malayalam |
>> protocol of workshop IIA |
|
1:41-1:46 |
Dalit
Women’s film on TV, women watching, sign on door, yard in front of hall,
women watching TV video film |
KUDIYIRAKKAPE-DUNAVAR/
DIS-PLACED PEOPLE |
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1:50 |
discussion
about film, Schulze asking questions in English, women in Malayalam,
interpreter in English, brainstorming about film (sound quality rather bad) |
discussion:
how to make a film in co-operation |
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1:53 |
the scene
of quarrel between „wife and husband“ -> bank scene |
husband
usually decides on financial matters |
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1:55 |
our
problems in filmmaking: editing, script writing ... |
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1:58 |
Schulze
about filmmaking, speaker’s voice, documenting etc. |
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2:05 |
Asha:
editing, song good, critique of editing the scenes |
editing
problems |
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2:09 |
Schulze:
about film editing, mood of the film, explains confusion while she edited the
scenes because dalit women's
indications were not clear |
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2:12 |
woman*?:
beginning of film: day-break, then night scenes ->irrritation |
a film's
chronology!? |
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2:13 |
Schulze
gives reasons for editing |
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2:19 |
for
future project we learnt that contact between editor and script writers
should be better, women should not think 'in scenes' but about the film as a
whole |
thinking
out a film |
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2:24 |
picture:
dark room, light window, again watching one film scene |
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2:30 |
discussion
... picture: women leaning against the wall, discussion mainly in Malayalam |
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2:36 |
Rema: „it
is good, but it is acting“, “we experience our small world”, Schulze asking in English, (background: lots of
traffic noise) |
acting of
amateurs who have not much time experiences
in film |
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2:37 |
D1: Scene
between D3 and D4 “the women had not time to learn the text” ->
difficulties for working women amateurs to produce text and acting |
a working
woman's difficulties to find time to learn her role |
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2:43 |
Schulze:
“What do you feel about message? That it starts with title and D6’s
introduction ... |
film’s
message of fear of 'globalisation' |
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2:43 |
Asha ... |
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2:45 |
noise
from outside, camera unsteady |
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A bit
later ... |
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2:46 |
Women and
Sarat sitting at tables |
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2:46-2:59 |
Filmmaker
C.Saratchandran in Malayalam picture:
speaker and listening, writing women picture:
woman sleeping „Coca-cola“,
„water“ |
C.
Sarat’s film on Coca Cola and resistance at Platchimada THE
BITTER DRINK |
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3:00 |
In the
afternoon |
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3:00-3:02 |
Watching
Sarat's EVICTED FROM JUSTICE on Muthanga, women watching film highly
interested |
C.
Sarat’s film on Muthanga EVICTED
FROM JUSTICE |
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3:02-34:11 |
women at
tables, Sarat talking about the difficulties of this kind of filmmaking,
construction workers in the yard, piling wood, silence |
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Schulze
asking about scenes with neighbours’ house women
asking questions, commenting to director (in Malayalam) |
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3:13 |
D1 speaks
... |
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3:15 |
Schulze
to D1: „what I found so striking“ ->
difference between news and a docu-film, very different coverage of
Adivasi-conflict |
TV news
on Muthanga |
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3:18-3:42 |
D1,
Sarat, other women discuss Schulze
and Sarat in the background, not understandable |
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3:43-3:51 |
Asha and
Rema who support and talk on Platchimada, reading from a magazine,„adivasi“,
„police“, „Kerala“ picture:
reader and microphone |
women and
Platchimada agitation |
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3:48 |
woman
construction worker in the yard picture:
women listening |
working
women |
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3:51-4:10 |
discussion,
younger women answering questions |
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4:10 |
Schulze:
„regarding this extreme form of poisoning the water by –Coca-Cola...government…
Platchimada struggle, commodifying all the water resources… |
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4:15 |
Asha and
Rema answering questions ... |
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4:17 |
Schulze:
natural phenomena dry areas? |
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4:18 |
D1 speaks
... |
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4:19 |
Schulze
summarising: drying up of wells increased -> experience decaying water
levels during the last years |
water
scarcity |
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4:22 |
D1 about
water problems, pollution ... |
water and
pollution |
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4:23-4:29 |
women
talk on water, wells, pollution, dried-up wells |
water and
pollution |
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4:29 |
Schulze:
water problems a major topic in the film? dalit women: also problems with high-caste people |
water and
casteism |
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4:31 |
dalit women: the upperclass women take water for
drinking from another well, D5's well is very good, also used by others, but
for drinking they go to another well |
dalit women and prejudices of high castes against
„polluted water“ from dalits |
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4:35 |
D1 talks
about her well -> neighbour’s daughters fetch water there but only for
washing and toilet purposes, |
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4:39
(end) |
the dalit women included this problem in
the last film sequence where she also acted of KUDIYIRAKKA ... |
KUDIYIRAKKA
... addresses
water problems |
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